The production designer and the egg

The FT recites the commonplace observation that curvaceous, minimalist 1960s commercial designs look “space-age”, as if inspired by 1960s SF films, principally 2001: A Space Odyssey:

Furniture inside the space station in 2001: A Space Odyssey

which might indeed stand comparison with, say, Maurice Calka’s PDG Desk:

Maurice Calka's PDG Desk

The writer, Josh Sims, says there’s a similar “stripped back, wipe-down, germ-free” vision of the future in Andrei Tarkovsky’s Solaris. I think he might want to refresh his memory of this film:

Kris Kelvin in the rocket bay on the Solaris station

Gibarian's video message to Kelvin in Solaris

But more generally I think he’s missing the point I made rather eloquently in my last post. Isn’t it more likely that, rather than furniture designers looking at film designers, they were all looking at the slightly older generation of modernist sculptors?

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Filed under art, film, space, Tarkovsky

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